![]() ![]() ![]() What does your point actually prove ? That Netflix could have “approved” but chose not to do so.therefore.? Please tell us what the true meaning here is of an Ursa not being approved when it should have been. Blackmagic Design Studio Camera 4K Pro 1,795. The true answer to your question was probably that they didn’t have anyone ask to use an Ursa so they never went though the testing process, which is extensive and takes quite some time to do, AND it was pretty close to when Netflix were starting to formalise and even publish this list that used to only be an internal document.īut you wanted to make a petty point so I guess you got to do that. Yeah, I feel contemptuous towards this kind of pedantry towards specs that don’t have any true impact or meaning to most of us. ![]() You’re the one that’s dragging this on into a pointless discussion. I know because I have that knowledge first hand (as to the WHY) I told you the real reason for the OP’s question. Personally I'm not bothered which cameras Netflix approve but since it was brought up we like yourself gave our fair views. WahWay wrote: People gave their opinions but wether some or all of it was the real reason for the subject in question you along with the rest of us are all held in equal contempt of this trivial pettiness. When a digital image is printed it gets transformed differently to when it's projected as there is the inkjet dot pattern in the mix so you can't relate gallery prints to cinema easily. Subsampling from higher resolutions is not at all bogus (even pretty bogus) and is a standard practice in any A/D and D/A conversion. It's 1:1 sampling without an OLPF which is the major problem with regards to moire and aliasing which also isn't such an issue with stills as the motion element exaggerates it. A lot of films are mastered in 2K and up-rezzed to 4K for delivery, and they still look great. ![]() Photographers print images at native resolution routinely, for magazines and galleries where image quality matters a great deal, and have no need for downsampling to achieve this. The belief that you need higher resolution than your target resolution is pretty bogus. There are several cameras on the Netflix approved list that have 4K native resolution, like Panasonic's Varicams. Also likley the moire and aliasing would be an issue. John Griffin wrote:It's can't deliver true 4k as it's got a 1:1 sampling sensor. ![]()
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